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光影與空間的關(guān)系表達(dá)的淋漓盡致，演繹了一場(chǎng)人與景之間的對(duì)話，從秩序中尋求變化，賦予空間不同的情緒。

The relationship between light, shadow and space is expressed incisively and vividly, which deduces a dialogue between people and scenery, seeks change from the order, and gives different expressions to the space.

光影與空間的關(guān)系表達(dá)的淋漓盡致，演繹了一場(chǎng)人與景之間的對(duì)話，在建筑通透的空間里自由行走。

The relationship between light, shadow and space is expressed incisively and vividly, which deduces a dialogue between people and landscape, walking freely in the transparent space of the building.

視覺中心構(gòu)建立面燈光層次，白色與木色構(gòu)建低調(diào)與清雅的調(diào)性。

The visual center constructs the facade light level, and the white and wood colors construct the low-key and elegant tone.

秩序中尋求變化，賦予空間不同的情緒。

Seeking change in order, giving different expressions in space.

光影與空間的關(guān)系表達(dá)的淋漓盡致，演繹了一場(chǎng)人與景之間的對(duì)話。

The relationship between light, shadow and space is expressed incisively and vividly, which deduces a dialogue between people and scenery.

洽談區(qū)采用開放式格局，將每一處功能區(qū)連為一體的同時(shí)又不失井然有序，主次分明。

The negotiation area adopts an openpattern, connecting each functional area into a whole without losing order anddistinct priorities.

沏一盞清茶，觀感自在閑適，將東方意境寫進(jìn)生活方式的每一個(gè)日常之中。

Make a cup of tea, feel comfortable and comfortable, and write the Oriental mood into every daily life style.

設(shè)計(jì)解構(gòu)傳統(tǒng)建筑元素，配以自然的松柏，聞茶，望山，觀竹設(shè)計(jì)于此，在自然中尋覓張力，嘗試回歸于人心靈的感知。

Design deconstructs traditional architectural elements,with natural pines and cypresses, smell tea, look at mountains and view bamboo.Design here to seek tension in nature and try to return to the perception ofhuman mind.

運(yùn)用弱對(duì)比色彩關(guān)系，希望通過(guò)植物景觀裝置使室外與室內(nèi)自然結(jié)合。

Using weak contrast color relationship, we hope to combine outdoor and indoor nature through plant landscape device.

空間以自然寧?kù)o為基調(diào)，虛實(shí)結(jié)合設(shè)計(jì)手法，藝術(shù)裝置與景觀在朦朧中拉開層次，增加空間靈動(dòng)性。

The space is based on the natural tranquility, the combination of virtual and real design techniques, artistic installation and landscape in the hazy to open the level, increase the flexibility of the space.

沿中軸對(duì)稱的空間布局呈現(xiàn)東方儀式感。

The spatial layout along the axis presents a sense of Oriental ritual.

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ORIGINAL FLOOR PLAN▽

原始平面

現(xiàn)狀分析:

項(xiàng)目緊臨湖面,平面強(qiáng)調(diào)空間中軸線關(guān)系，建筑為二層挑空空間，整面落地窗引進(jìn)自然光線。

Dynamic line analysis:

The project is close to the lake, and the plane emphasizes the relationship between the central axis of the space. The building is a two-story empty space, and the whole floor to ceiling window introduces natural

該項(xiàng)目是靠近湖泊，與平面強(qiáng)調(diào)之間的關(guān)系空間的中軸線。該建筑是一棟兩層的空白區(qū)域，整個(gè)落地窗引入自然

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DEDUCTION PROCESS▽

推演過(guò)程

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PLANE MOVING LINE▽

平面動(dòng)線

動(dòng)線分析：

平面布局強(qiáng)調(diào)空間中軸線關(guān)系，形成層層遞進(jìn)的空間序列與節(jié)奏，步換景移。洽談區(qū)秩序、統(tǒng)一、變化、將生活化場(chǎng)景延續(xù)到公共空間。

Dynamicline analysis:

The plane layoutemphasizes the relationship between the axes of the space, forms the spacesequence and rhythm step by step. Order, unity, change and extension of lifescene to public space in the negotiation area.

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FLOOR PLAN▽

最終平面