該項(xiàng)目總面積200㎡，無外方所設(shè)計(jì)團(tuán)隊(duì)在此案中旨在還原設(shè)計(jì)的本質(zhì)，打破風(fēng)格化的刻板印象，褪去繁復(fù)裝飾的表達(dá)外衣，將平層空間功能區(qū)塊進(jìn)行規(guī)整重置，消隱各個(gè)功能空間中的隔墻分區(qū)，以“零間隔”的形式將整個(gè)場域化零散為整一，并將自然景色和自然光影引入室內(nèi)，借窗外之景為私人空間的延展，最大限度地打破室內(nèi)空間的固有尺度。著力構(gòu)造一個(gè)兼具外向型及內(nèi)向型，外顯理性素雅，內(nèi)存親近溫馨的居住空間。

The project site has a total area of 200 square meters. With a view to getting back to the essence of design, Our design team intends to break up the stereotypical concept of stylization, strip away the veneer of complicated decor, rearrange the functional areas of the flat floor space, eliminate the partition walls in each space, and ideally turn the entire area into a whole with no visible partitions. Furthermore, the natural scenery and light are introduced into the interior, and the view outside the windows serves as an extension of the private space, scaling up the inherent area of the interior space to the maximum. In doing so, we strive to create a blend of “extroverted” and “introverted” living space which is both rational and elegant externally and intimate and warm internally.

▼項(xiàng)目概覽，overall view of the project

設(shè)計(jì)以入戶進(jìn)門處為軸線，南北劃分，以北為動(dòng)區(qū)，給予居住者充分自由和空間，探索這一方開闊天地，在客餐廳整合一體的公共空間中肆意暢游；穿過軸線南側(cè)的弧面廊道，墻面材質(zhì)自然過渡，木飾表皮包裹的界面觀感和觸感舒適，引導(dǎo)著動(dòng)線一步步進(jìn)入三間臥房所在的南面靜區(qū)。

The entrance door is taken as the axis of the space, thereby dividing it into north areas and south ones. The north is the public areas, affording the occupants full freedom and untrammelled space to explore its open world, which makes it possible for them to stay and wander freely in the space integrated with the living and dining rooms; the curved corridor on the south side of the axis, whose facade materials transition naturally and the walls wrapped in wood veneer convey comfortable feelings, guiding the traffic flow step by step into the southern private area where three bedrooms are tucked away.

▼平面圖 floor plan

白日正在破曉，

碩大，在世界上面。

我的火炬消隱，天空發(fā)出紅光。

我站在河流嗡嗡聲上的一個(gè)巖洞旁邊。

山巒上的黎明光輝里有一縷月亮的銀白色。

——切斯瓦夫?米沃什 (Czeslaw Milosz)

▼結(jié)構(gòu)改造圖 plan of structural transformation

▼空間收納圖 plan of storage space

▼軸測圖 axonometric drawing

外向空間 Open Space：

縱覽公共區(qū)域——開放的空間，將餐廚區(qū)，客廳，陽臺(tái)以及相對(duì)隱私的書房進(jìn)行了有機(jī)連通，以巖板島臺(tái)與沙發(fā)為中心的洄游動(dòng)線讓空間愈發(fā)顯得靈活和通透。In the open space, the dining and kitchen area, the living room, the balcony and the study are connected organically, and the circular traffic flow centered on the island made of black sintered stone and sofa renders the space more flexible and visually expanded.

入戶區(qū)域 | “熱情”交錯(cuò)

Entrance Area | Alternate Layers of Welcome

甫一步入室內(nèi)，入戶處格柵弧面的嵌入，于墻體與懸浮柜之間進(jìn)行穿插，解構(gòu)，重組，豐富層次，增強(qiáng)入戶儀式感。地面上的溫潤色澤的巖板配合木飾面覆蓋的局部頂面，同色系木地板與質(zhì)樸內(nèi)斂的白色頂面的搭配對(duì)空間進(jìn)行橫向切割，不同材質(zhì)的交相呼應(yīng)，交錯(cuò)對(duì)比，從視覺上暗示空間分區(qū)，引導(dǎo)不同的動(dòng)線走向，強(qiáng)調(diào)邊界感的同時(shí)，也消減了空間與空間之間的割裂感。

As soon as one makes his entrance, he will notice the grille curved surface embedded in the wall is interspersed between the wall and the suspended cabinet, enriching the layers and enhance the sense of ceremony for going home. the warm looking sintered stone slabs on the floor and the wood veneer on the partial top, combined with the wood flooring of the similar color and the softly lit white ceiling, divide the space horizontally, and the various materials are echoed and contrasted, visually suggesting how functional spaces are partitioned and where the traffic flows go, which does not only underlines the sense of boundary but also reducing the sense of fragmentation between spaces.

客廳 | 開合之間Living Space | Betwixt Openness and Closeness

以巖板島臺(tái)和沙發(fā)為中心，在客廳區(qū)域勾勒出一條洄游動(dòng)線，陽臺(tái)與客廳的無礙連接，配合面積巨大的落地窗，將室內(nèi)空間與室外光影交融合一，增添了無限變化的視覺美感。With the black sintered stone island and sofa as its center, a circular traffic flow takes form. The seamless connection between the balcony and the living space, together with the huge floor-to-ceiling windows, fuses the indoor space with the outdoor light and shadow, adding to the visual beauty of infinite changes.

白色內(nèi)嵌吊軌門作為電視背景墻，使得客廳的使用場景可以靈活切換，傳達(dá)出不同的空間情緒，黑色的展示層架以及簡潔體塊的黑巖地臺(tái)，消隱背景墻邊框感，給予懸浮感。當(dāng)推開移門，電視展露其間，對(duì)稱性的畫面結(jié)構(gòu)傳遞出精密的秩序感和觀影前的儀式感。沙發(fā)后的島臺(tái)可作為延展與家人客人互動(dòng)的社交區(qū)域；當(dāng)移門閉合，客廳即刻"安靜"了下來，此時(shí)獨(dú)自一人賞景放松，靈感乍現(xiàn)時(shí)，便可挪步至島臺(tái)伏案記錄，好不愜意。開合之間，客廳區(qū)域的整體配置讓空間顯得張弛有度。The white built-in hanging door, as the TV background wall, makes the living space flexibly switched to apply to different scenarios. The black display shelves and the simplistic black sintered stone floor platform make the frame of the background wall less obtrusive, thus lending a sense of suspension to the entire wall. When the sliding door is pushed open, the TV is revealed, and the symmetrical structure communicates a sense of order and a sense of ceremony before one settles back and watches TV; what’s more, the island behind the sofa serves as a social area to stimulate the interaction between family and guests. When the sliding door is closed, the living space will instantaneously quite down. It helps a lot while one is relaxing and enjoying the scenery outside alone. As inspiration strikes, he can move to the island quickly and record his thought readily. The comprehensive configuration, between the opening and closing of the sliding door, renders the whole space extraordinarily capacious and multifunctional.

待夜幕緩緩降下，華燈初上之際，無主燈的設(shè)計(jì)則更突出了空間內(nèi)斂含蓄的氣質(zhì)。在天花獨(dú)盞射燈的映襯下，人造光與天然夜幕共同賦予了洞石椅極強(qiáng)的氛圍感和戲劇舞臺(tái)感。The night descending slowly and the lights aglow, the indirect lighting, with no main lighting source, speaks full volumes for the reserved temperament of the space. With the recessed downlight on, artificial lights, coupled with natural night veil, give the travertine chair a profound theatrical atmosphere.

餐廚區(qū) | 能裝是福Dining Area | Roomy, a Blessing

天花板片和地面不同材質(zhì)的交錯(cuò)呼應(yīng)，劃定了開放式廚房與就餐區(qū)的界面范圍。橫向空間上，白色柜體的統(tǒng)一排列，融入同色墻面，既充分滿足了收納需求，也彰顯了空間的包容屬性。The interplay of different materials on the ceiling and the floor defines the boundary of the open kitchen and the dining area. Horizontally, the unified arrangement of white cabinets, integrated into the walls of like color, not only satisfies the storage needs, but also brings out the inclusiveness of the space.

就餐區(qū)，幾何框架的鏡面，浮掛墻面，映射出液態(tài)金屬般的未來藝術(shù)；獨(dú)立桌面的樸質(zhì)侘寂的中古瓶器，呢喃低語源自東方的古老哲思；站立一旁多立克柱似的端莊燈具，它的白玉內(nèi)斂，就已是彰顯著古希臘秩序美的終極宣言。而徜徉其中的一抹翠色，則將這三種文明形態(tài)賦予了當(dāng)下時(shí)間的勃勃生機(jī)，好似一組來自不同國度，不同時(shí)空維度的奏鳴曲即將上演。In the dining area, the geometrically framed mirrors floating on the wall like liquid metal reflect the futuristic art; the simple vintage vases standing on the tabletop speak of the ancient philosophies from the East in a lowered voice; the Doric column-like lamp standing aside, its alabaster appearance is the ultimate declaration of the Hellenistic order. A touch of emerald green from the twigs endows the three civilizations mentioned above with the vitality of the present, as if a set of sonatas from different nations and different time and dimensions were to be played out.

書房 | 消隱山林間Study | Hidden in the Woods

白色吊軌移門，與半包裹式墻體將書房悄然嵌至于客餐廳旁的角落，突出了該空間的私密屬性，也讓其和客餐區(qū)的連接更為緊密，方便動(dòng)線流動(dòng)，也使整個(gè)外向空間機(jī)能配置上更具整體性。The white hanging sliding doors and half-wrapped walls enclose the study in the corner next to the dining room, highlighting its privacy and making it more intimately connected to the dining space and the living space alike. Moreover, the traffic flow in this area becomes smoother and the open space more integral in terms of functionality.

過渡空間 | 這么遠(yuǎn)，那么近

Transitional Space | So Far, So Near

廊道作為空間流動(dòng)的轉(zhuǎn)換，南北動(dòng)線在此交匯，動(dòng)靜空間悄然過渡。The corridor acts as the transitional space, where the north-south traffic flows join and the open space and the private space transition

從客餐區(qū)步入廊道途中，便能看到入戶右側(cè)弧形轉(zhuǎn)角，其將傳統(tǒng)直線轉(zhuǎn)角柔和化，鈍化空間線條感。On the way from the dining space to the corridor, one can see the curved corner on the right side of the entrance, which softens the traditional straight corner.

弧面造型的廊道，柔化了空間線條感，豐富了空間層次，同時(shí)強(qiáng)調(diào)了臥房溫馨私密的空間屬性，凸顯了空間內(nèi)斂的氣質(zhì)。The curve-shaped facade of the corridor diversifies the space layers while emphasizing the warmth and privacy of bedrooms at the end of the corridor.

木飾面漫游墻面和頂面，以極其流線的形態(tài)，任由溫潤素雅的木色板片舒展其流線的形態(tài)，完成了由自由開闊的開放空間向溫馨舒適的私密空間的無縫過渡。踱步至廊道盡頭，緩緩?fù)崎_東西南三個(gè)方位的隱形門，各自的臥房映入眼簾，視野將再一次被打開。值得一提的是，此處運(yùn)用材質(zhì)重疊與交替的方式，木色墻面和天花，與同色系地板一同限定出通向主臥的房門方向，而其余白門則是對(duì)應(yīng)著兒童房和客房，讓廊道具備一定的信息指向性，更方便留宿友人分辨。The wood veneer meanders on the wall and the roof, in a streamlined form, allowing the warm and elegant wood-colored panels to stretch and then completing a seamless transition from a free open space to a warm and cozy private space. Walking to the end of the corridor, one can enter three bedrooms through frameless doors in the eastern, western and southern directions. It is worth a mention that the overlapping and alternating materials are deployed here. The wood-colored walls and ceiling, together with the flooring of like color, suggest the direction of the door leading to the master bedroom, while the rest of the white doors leading to the children’s room and the guest room. All these make it more convenient for those friends staying overnight to know where they could rest.

空間相對(duì)性帶來的視野的延伸；從弧面廊頂望去公共空間，視野豁然開朗，空間向度自由延展。The relativity of space extends view. Looking from the curved ceiling of the corridor to the open space, one’s view opens up and the space expands freely on every hand.

內(nèi)向空間 Private Space：

臥室 | 留白天地Bedroom | Negative Space

淡灰色墻面，白色與木格柵柜體拼接的組合，強(qiáng)調(diào)視覺上的虛實(shí)對(duì)比，分隔界面以表現(xiàn)層次變化。內(nèi)嵌踢腳線，讓空間更富輕盈感?？臻g內(nèi)沒有過多的裝飾，大量的留白，也方便業(yè)主后期添置和改造。The combination of light grey wall, white and wood grille cabinet stresses the visual contrast between the real and the unreal, separating the interface to display the change of layers. The built-in skirting boards make the room light and float. In default of excessive decoration, the room is left with a great amount of white space, which makes it convenient for the house owner to add or renovate the room in the near future.

主衛(wèi) | 紅色“警戒”Master Bathroom | Flaming Seasoning

微水泥漫游墻面和地面之上，將功能分區(qū)清晰的主衛(wèi)空間整合統(tǒng)一，細(xì)化內(nèi)部功能分區(qū)。連幅的鏡面柜體進(jìn)一步拉伸空間尺度，云灰石臺(tái)面的莊重神秘，在“火辣”衛(wèi)浴龍頭的煽動(dòng)下，看似是對(duì)空間統(tǒng)一色調(diào)的“反叛”宣言，實(shí)則是豐富空間表現(xiàn)的“調(diào)味料”和“增味劑”。The walls and the floor covered by micro cement integrate the master bathroom into a whole and divide the space into sub-spaces clearly. The mirror cabinet further stretches the spatial scale, and the grey marble countertop of solemnity and mystery, fomented by the flaming faucet, appears to rebel against the uniformity of color in the space, but in fact it is actually a sort of seasoning to spice up the space.

軟裝細(xì)節(jié) | 所想即所得Furnishings | To think is to Get

本案還有一大亮點(diǎn)，即軟裝部分有大量定制產(chǎn)品，設(shè)計(jì)團(tuán)隊(duì)在產(chǎn)品的構(gòu)思和表意上也付出了巨大努力，力求為整個(gè)居住空間增添更多層次，樂趣，以及故事性。Another highlight of this case is the customized pieces of furniture. The design team has made great efforts throughout the process of the conception of the products and expression of their meanings in a bid to add more layers, excitement, and depth to the living space.

斑馬椅：材質(zhì)組合豐富的斑馬椅，猶如棲息于奧羅米亞的狹紋斑馬，透出大自然所饋贈(zèng)的野性和力量，散發(fā)著幽秘麝香，給空間一角悄然平添幾分異域色彩。Chair Zebra: It’s a blend of glass, leather, wood, and metal, which looks like a Grévy's zebra in Oromia, partaking of the wildness and natural strength and emanating a kind of mysterious musk. Its presence lends an exotic flavor to the living space.

洞石茶幾：流暢圓潤的洞石茶幾，豐富空間層次對(duì)比，石灰華史前紋理間開鑿溪徑，靜靜看著歲月如流，時(shí)光輪回。Travertine Coffee Table: It’s smooth and round, rich in layers. Between the travertine prehistoric texture exist stream-like lines, which seemingly bore witness to the passage of time.

洞石椅：全球獨(dú)一份的定制洞石椅，仿佛用溫潤的外表來粉飾歲月的錘煉，殘缺的表皮下，暗示著打破秩序，界定無限的里層表達(dá)。Travertine Chair: It’s one of a kind, whose subtle appearance disguises the marks of time. Despite its broken surface, the chair suggests a break with order and a sense of infinity.

室內(nèi)空間設(shè)計(jì)的主聲部，或許是功能與審美的關(guān)系孕育了各異的設(shè)計(jì)形態(tài)和表現(xiàn)手法，而讓居住空間變得合理且保留溫度一直是我們不變的目標(biāo)。不止于此，在外在表達(dá)之上，我們努力向空間傳遞故事性——空間細(xì)膩→故事細(xì)膩。In the main part of interior design, perhaps it is the relationship between function and aesthetics that gives birth to various design forms and expression methods, while our constant goal is to make living space well laid out and rich in warmth. What’s more, we have been striving to convey depth and meaningfulness to the space--a space delicately designed → a story subtly romanticized.

項(xiàng)目名稱：無外方所丨200㎡荊楚簡意平墅，故事細(xì)膩

項(xiàng)目地址：湖北 荊州

建筑面積：200㎡

設(shè)計(jì)公司：無外方所

設(shè)計(jì)主創(chuàng)：劉春華

設(shè)計(jì)時(shí)間：2021.07

項(xiàng)目竣工：2022.09

攝影版權(quán)：RICCI空間攝影

文字創(chuàng)作：張晅