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靈魂 & 皮囊

Soul & Skin

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我常常思考，作為一個(gè)建筑師，我們應(yīng)該賦予建筑怎樣的姿態(tài)。美與夸張的設(shè)計(jì)表現(xiàn)方式，也不再是“好”建筑唯一的評(píng)判標(biāo)準(zhǔn)。當(dāng)我們身處在這個(gè)到處充斥著光鮮亮麗、且“完美”的世界里，我總會(huì)感到一絲絲的恐慌。那種恐慌是源自一種未知的假象。這種假象同時(shí)也是一種狡猾的，隱秘的狀態(tài)。在那些看似多樣且光鮮的建筑姿態(tài)下，是一個(gè)又一個(gè)沒(méi)有情緒、靈魂的空間皮囊。

I often think about what kind of gesture we should give to architecture as an architect. Beauty and exaggerated design expressions are no longer the only criteria for judging "good" architecture.When we are in this world full of bright and shiny, and "perfect", I always feel a little bit of panic. That panic is from an illusion of the unknown. This illusion is also a cunning, hidden state. Underneath the seemingly diverse and shiny architectural postures, there is a space without emotion and soul.

空間 & 使命

Space & Mission

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建筑如果沒(méi)有被賦予空間使命。嚴(yán)格意義上，我認(rèn)為不能稱(chēng)之為建筑。所以，在構(gòu)建祺兮展廳時(shí)，擺在我們面前的首要問(wèn)題，是要如何打造出一個(gè)屬于祺兮姿態(tài)和語(yǔ)境的展示空間？

Architecture if it is not given a spatial mission. Strictly speaking, I don't think it can be called architecture. Therefore, the first question in front of us when building a showroom is how to create a display space that is part of the CHEECI posture and context.

祺兮雖是一家專(zhuān)注涂裝定制的專(zhuān)業(yè)機(jī)構(gòu)。但我們?cè)跇?gòu)建空間時(shí)，是否只應(yīng)將關(guān)注點(diǎn)停留在不同涂裝材質(zhì)的基礎(chǔ)表達(dá)之上？我想，答案肯定是否定的。于是，我們將視野挪回到涂料最真實(shí)的應(yīng)用場(chǎng)景之中去。涂料，作為建筑肌膚的一部分。它將與建筑形成一種共生的關(guān)系。同時(shí)，也因其涂裝材質(zhì)的不同，亦將與不同的建筑空間組合成千變?nèi)f化的建筑姿態(tài)。而不同的姿態(tài)，在不同的光影環(huán)境與再造裝飾下，又將形成不一樣的空間情緒。

Although CHEECI is a professional organization that focuses on custom painting. But when building a space, should we only focus on the basic expression of different painting materials? I think the answer is definitely no. So, we move our vision back to the most real application scenario of paint.

而我們，便是希望在這一小小的空間中，去盡可能地體現(xiàn)出涂料在不同環(huán)境下的真實(shí)狀態(tài)。這種狀態(tài)是真實(shí)的應(yīng)用場(chǎng)景，亦是真實(shí)的空間情緒。

We hope that in this small space, we can reflect the real state of paint in different environments as much as possible. This state is the real application scene, and also the real space emotion.

場(chǎng)景 & 融合

Scene & Integration

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一個(gè)好的展廳，在滿足好的體驗(yàn)和接待功能的前提下，如何將產(chǎn)品進(jìn)行更為全面且有效的展示。并最終起到促進(jìn)銷(xiāo)售的目的。才是一個(gè)產(chǎn)品展示空間最好的詮釋。

A good showroom, under the premise of meeting the good experience and reception function, how to carry out a more comprehensive and effective display of products. And ultimately to promote the purpose of sales. It is the best interpretation of a product display space.

那么真實(shí)的消費(fèi)場(chǎng)景搭建，便是其最為直接有效的方式。產(chǎn)品，也不再只是被陳列出來(lái)的商品。而是與不同材質(zhì)共建空間關(guān)系中的一部分。于是，其它常見(jiàn)的裝飾材質(zhì)也被賦予使命，引入至空間之中。

Then the real consumer scene is the most direct and effective way to build. Products are no longer just commodities on display. Instead, they are part of the relationship with different materials to build the space. Thus, other common decorative materials are also given the mission to be introduced into the space.

如果說(shuō)涂料是建筑的肌膚。那么木作便是包裹住身體的衣物，承載著儲(chǔ)藏功能與裝飾的作用。所以一件好的衣物，除了能滿足功能與裝飾點(diǎn)綴以外。是否能與肌膚產(chǎn)生和諧且舒適的狀態(tài)，便是我們對(duì)于其最好的評(píng)價(jià)。

If paint is the skin of the building. Then the woodwork is the clothing wrapped around the body, carrying the role of storage function and decoration. So a good piece of clothing, in addition to meeting the function and decorative embellishment. Whether it can produce a harmonious and comfortable state with the skin, is our best evaluation of its.

而燈光氛圍的打造，則是在空間情緒營(yíng)造上的催化劑。燈光通過(guò)明暗、聚散、色彩等對(duì)比變化，又將同一空間中的涂料質(zhì)感進(jìn)一步優(yōu)化。人們也能在不同的空間情緒氛圍中，體驗(yàn)到更為豐富的質(zhì)地感受。這無(wú)疑是最大化的將涂料在空間情緒營(yíng)造上的作用與價(jià)值。直觀且有效地展示在消費(fèi)者的面前。

The creation of lighting atmosphere is a catalyst in creating the mood of the space. The light will further optimize the texture of paint in the same space through the contrast changes of light and dark, gathering and dispersion, color, etc.. People can also experience a richer texture feeling in different spatial mood atmosphere. This is undoubtedly to maximize the role and value of paint in the creation of space mood. It is an intuitive and effective display in front of consumers.

情緒 & 生命

Emotions & Life

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所以，它既是一個(gè)合格的涂裝商業(yè)展廳；亦是一個(gè)關(guān)于美好生活的范本；同時(shí)，也是一個(gè)具備獨(dú)立情緒的建筑。而正因?yàn)槠溆辛藢儆谧约旱目臻g語(yǔ)境、建筑情緒，以及與使用者真實(shí)關(guān)聯(lián)的空間訴求場(chǎng)景。它便成為了一個(gè)擁有生命力的載體。

Therefore, it is not only a qualified painting commercial showroom; it is also a model of good living; at the same time, it is also a building with independent emotion. And because it has its own spatial context, architectural mood, and spatial demand scenarios that are truly related to the users. It becomes a carrier with vitality.