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本項目由屢獲殊榮的國際知名建筑事務所Ryuichi Sasaki Architecture設計建造，該事務所專注于文化建筑的設計，極度關注建筑使用者的參觀與使用體驗。池上音樂中心的設計在建筑師與Takayuki Yagi和Yagi Komuten的合作下完成，并于2021年交付給業(yè)主Yasunori Kamata/K-M-T并投入使用，建筑主體采用了鋼筋混凝土結構，內(nèi)部容納了音樂廳、練習室、隔音住宅租賃單元和頂層公寓。

Ryuichi Sasaki Architecture, an award-winning, internationally acclaimed architectural design firm specializing in cultural experiences, is proud to unveil the Ideareve-Ikegami. Completed in 2021 in collaboration with Takayuki Yagi and Yagi Komuten, for the client Yasunori Kamata / K-M-T, the reinforced concrete structure was designed to accommodate a music hall, practice rooms, soundproofed residential rental units, and a penthouse.

▼項目鳥瞰，aerial view of the project ? Takumi Ota Photography

▼項目頂視圖，top view of the project ? Takumi Ota Photography

項目坐落于東京南部的池上地區(qū)，著名的池上本門寺山腳下。池上本門寺歷史悠久，建于17世紀初，并以其巨大的五層寶塔而聞名，寺廟、咖啡館、商店和住宅區(qū)共同組成了當?shù)氐奈幕行?。Ryuichi Sasaki Architecture此次的設計任務旨在為小鎮(zhèn)創(chuàng)造一處靈活的公共設施，為當?shù)鼐用裉峁┥缃痪蹠⒈磉_自身創(chuàng)造力，并在多功能空間中學習與欣賞音樂的理想場所。最終，建筑的設計以驚人的幾何美學回應了項目的需求。

▼軸測圖，axonometric drawing ? Ryuichi Sasaki Architecture

At the foot of the Ikegami Honmonji Buddhist temple, renowned for its massive five-story pagoda erected in the early 17th century, the Ideareve-Ikegami is located in the south Tokyo town of Ikegami, a cultural hub comprised of smaller temples, cafes, stores, and residential zones. The mandate for Ryuichi Sasaki Architecture was to design a facility for the town where residents can gather, express their creativity, and study music in a variety of hybrid spaces. The firm embraced the mandate and responded in a stunning geometrical fashion.

▼體量左側為音樂廳與頂層公寓，右側為住宅單元，the concert hall and the penthouse are on the left and the residential units on the right ? Takumi Ota Photography

▼音樂廳與頂層公寓體量鳥瞰，aerial view of the concert hall and the penthouse ? Takumi Ota Photography

▼頂部鳥瞰，aerial view of the roof ? Ryuichi Sasaki Architecture

“池上本門寺是日連佛教最重要的精神場所，其輝煌的歷史可以追溯到13世紀。我們面臨的挑戰(zhàn)是在其陰影下設計一個體驗式的綜合體，它將體現(xiàn)當?shù)氐纳鐓^(qū)精神和文化精髓，同時也將嚴格遵守建筑規(guī)范，以保護當?shù)刂匾奈幕z產(chǎn)?！表椖渴紫瘓?zhí)行官兼首席建筑師Ryuichi Sasaki解釋道。

“The Ikegami Honmonji temple is the most important spiritual site of the Nichiren Buddhist sect, with an illustrious history dating back to the 13th century,” explains Ryuichi Sasaki, CEO and Principal Architect. “The challenge for us was to design an experiential complex in its shadow that would embrace the spiritual and cultural essence of the community, while also respecting the types of strictly-enforced building codes that typically protect such heritage areas.”

▼音樂廳屋頂形成觀景露臺，the roof of the concert hall forms a viewing terrace ? Ryuichi Sasaki Architecture

▼頂層公寓單元鳥瞰，aerial view of the penthouse ? Takumi Ota Photography

與環(huán)境的無縫融合

A seamless blend with the environment

該綜合體坐落于池上最大住宅區(qū)西北部的一塊梯形場地上，場地西側為當?shù)厮聫R與小鎮(zhèn)的咖啡館，咖啡館的主要客人一般為前往寺廟的朝圣者。兩層樓高能夠容納80個座位的音樂廳占據(jù)了建筑西南角的戰(zhàn)略位置，可以通過前庭和門廳進入，進而形成了一個流通區(qū)域。這個區(qū)域起到了空間過渡的作用，模糊了室內(nèi)外的界限，將周圍令人心曠神怡的山丘景觀與建筑內(nèi)部充滿活力的創(chuàng)意音樂氛圍緊密地聯(lián)系在一起。

▼音樂廳一側街道視角，street view of the concert hall side? Takumi Ota Photography

▼街角花園，garden at the street corner ? Ryuichi Sasaki Architecture

To the northwest of Ikegami’s largest cluster of residences, the complex sits on a trapezoidal site, just east of the town’s temples and cafes that cater largely to migrant waves of pilgrims en route to the temple. The two-story music hall and its 80-seat theatrical auditorium occupy a strategic place in the southwest corner of the structure, entered via a vestibule and foyer that combine to form a circulation zone that blurs the lines between the inspiring, undulating hills of the external landscape and the vibe of creativity that awaits inside.

▼場地入口，entrance of the site ? Takumi Ota Photography

▼音樂廳體量街道視角，street view of the volume of the concert hall ? Takumi Ota Photography

▼音樂廳體量，volume of the concert hall ? Takumi Ota Photography

▼建筑線條彰顯出驚人的幾何美學，the lines of the building reveal a striking geometric aesthetic ? Takumi Ota Photography

▼立面細部，exterior details ? Takumi Ota Photography

門廳平面呈梯形，由三面黃銅色的不銹鋼墻面圍合。演出大廳內(nèi)部墻面則鋪設了高品質(zhì)的隔音材質(zhì)，沿對角線傾斜的墻體共同形成了抽象的梯形體量。音樂廳沿街一側的立面由石籠墻點綴，勾勒出一系列種滿植物的花園，大面積的玻璃開窗與多個入口則進一步加強了音樂廳與包括花園在內(nèi)的周圍景觀之間的聯(lián)系。

▼一二層透視分析圖，perspective diagram ? Ryuichi Sasaki Architecture

▼音樂廳門廳，foyer of the concert hall side ? Takumi Ota Photography

▼音樂廳入口，entrance of the concert hall ? Takumi Ota Photography

The foyer is embraced by three brass-colored, stainless steel diagonal walls, and the interior of the hall is encased in acoustic reflectors, with large walls that collectively form an abstract diagonal shape. Glass surfaces and multiple entranceways further embolden connections between the music hall and the surrounding landscape, with the latter embellished by gabion walls that delineate a garden of various species of plants.

▼音樂廳室內(nèi)概覽，interior view of the concert hall ? Takumi Ota Photography

▼音樂廳燈光效果，light design of the concert hall ? Takumi Ota Photography

▼演出配置，performance setting ? Takumi Ota Photography

▼二層觀眾席視角，audience view on the second floor ? Takumi Ota Photography

空間的重置與整合

Spatial reconfigurations

住宅區(qū)與音樂廳的共享入口位于建筑的中心位置，需要通過一系列臺階進入，樓梯上的建筑元素象征著攀登山坡朝拜池上本門寺的過程。在樓梯的頂部，一系列隔音出租公寓有序排列在走廊上，每套公寓功能都十分齊全，包括：廚房、浴室、隔音客廳和臥室。

Towards the center of the building, the residential zone shares its entranceway with the music hall, and is accessed via a staircase marked by architectural elements symbolically paying tribute to the climb to the Ikegami Honmonji temple. At the top of the staircase, a series of sound-proofed rental homes line the corridor, each comprised of a kitchen, bathroom, soundproofed living room, and sleeping quarters.

▼住宅單元一側外立面，exterior view of the residential side ? Takumi Ota Photography

▼住宅單元體量，volume of the residential unit ? Takumi Ota Photography

▼入口臺階，entrance staircase ? Takumi Ota Photography

▼底層花園，courtyard and gardens ? Takumi Ota Photography

▼住宅單元一側入口，entrance of the residential unit ? Takumi Ota Photography

住宅體量還包含一個頂層公寓單元，該單元由三個建筑體塊組成，公寓之中設有滑動隔墻，可以實現(xiàn)最大化的空間配置。通過移動滑動隔墻，客廳和餐廳區(qū)域可以得到擴展，以適應各種后勤情況。主臥室區(qū)也可通過滑動墻體，分隔出多間小臥室，以容納其他家庭成員或住客。最后，在音樂廳上方，一處寬敞的大露臺進一步模糊了建筑內(nèi)外之間的邊界，進而為來訪者們提供了鼓舞人心的周圍景觀視野。

▼頂層公寓與住宅單元透視分析圖，perspective plan of the penthouse and residential unit ? Ryuichi Sasaki Architecture

The residential volume also houses a penthouse unit, comprised of three volume areas featuring sliding walls that enable maximum spatial configurations of its spaces. By reconfiguring the sliding walls, the living room and dining room areas can be enlarged to accommodate a variety of logistical situations. The sleeping quarters can also be reconfigured from a master bedroom into multiple bedrooms to accommodate other family members or houseguests. Finally, above the music hall, a large terrace further fuses the seamless border between the building’s interior and exterior, incorporating inspirational views of the majestic landscape for the benefit Ideareve-Ikegami patrons.

▼頂層公寓單元，penthouse unit? Takumi Ota Photography

▼立面細部，exterior detail of the penthouse ? Takumi Ota Photography

▼樓梯，staircase ? Takumi Ota Photography

“住宅區(qū)與音樂廳之間過渡區(qū)的優(yōu)美景觀旨在激發(fā)人們音樂創(chuàng)造力，使人們的情感與旋律和節(jié)奏之間產(chǎn)生共鳴。“該項目有助于當?shù)氐奈幕诤?，以熱情好客的姿態(tài)向來訪者們展示出小鎮(zhèn)的音樂特色，我們很自豪能夠為池上居民建造出這樣一座綜合體。”建筑師Ryuichi Sasaki總結道。

“Views from the residential area, as well as the music hall circulation areas, were designed to inspire emotions conducive to musical creativity and melodic rhythms,” concludes Ryuichi Sasaki. “The project contributes to the blending of culture and hospitality that characterizes the town, and we are proud to provide this complex for the joyful use of residents of Ikegami.”

▼住宅單元一側門廳，foyer of the residential side ? Takumi Ota Photography