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The Ninth咖啡館首店位于上海長風大悅城一樓，處在商場中心的戶外中庭的一角。全室外的氣候、中庭的廣場尺度以及帶有街道感的流線為項目帶來了完全城市性的特別氛圍。佇立于商場擁擠的人流中，咖啡館就像一艘大船，從內部徐徐駛出，停泊在轉角處；彎曲的玻璃立面，連同仿佛桅桿般的木質桿件，好似被風浪吹起的船帆，伴隨著人流輕輕擺動。

Located on the ground floor of Shanghai Changfeng Joy City, the Ninth Coffee occupies one corner in the outdoor atrium of the shopping mall. The all-outdoor climate, the square scale of the hall and the street neighbourhood feel bring the project a special urban atmosphere.

▼建筑外觀，exterior view ? 陳顥

▼建筑長立面外觀，the long facade of the building ? 陳顥

▼緊貼建筑轉角紅線的Kiosk，closer view of the facade ? 陳顥

咖啡館的空間由一個“支點”：Kiosk, 出發(fā)。它像碩大公共廣場上立著的一個小邊亭，向各個方向打開。對于從任意方向來的行人，這都是最先映入眼簾的、一個強有力的存在—一個買賣與交流的中心。

▼草圖，sketches ? 方書君工作室

The café starts with an“anchor”: Kiosk. Like a small side pavilion in a public square of a city, it opens up in all directions. Its powerful presence catches the eyes of pedestrians coming from any direction – a centre for trading and communication.

▼緊貼建筑轉角紅線的Kiosk，kiosk close to the site red line ? 丁思民

▼葉子柔和地向內彎曲，讓出部分紅線，the facade bends gently inward, sets back from the red line ? 丁思民

與傳統(tǒng)咖啡館中將吧臺置于店鋪內側的設置相反，設計將吧臺提到外側最前端，把咖啡制作的過程零距離地展現(xiàn)給外界。兩個出入口環(huán)繞在Kiosk兩側，使得kiosk更似一個小島，行人可從內外兩側分別?？俊?/p>

Contrary to the traditional café setting where the counter is placed inside the store, our proposal pushes it to the very forefront, showing the process of coffee making to the public in close distance. Two entries surround the kiosk on either side, making it more like an island and people can stop and pass by from both sides.

▼室內概覽，overall of interior ? 陳顥

▼從主就餐區(qū)看向被擠壓的過道，viewing the squeezed aisle from the main dining area ? 陳顥

▼咖啡制作區(qū)內景，interior of the coffee-making area ? 陳顥

▼從制作區(qū)看向北側就餐角，viewing the north dining corner from the production area ? 陳顥 / 丁思民

▼水磨石結構在建筑內部形成就餐區(qū)，

the terrazzo structure forms a dining area inside the building ? 丁思民

▼水磨石結構在建筑內部形成就餐區(qū)，

the terrazzo structure forms a dining area inside the building ? 丁思民Kiosk的存在感與重量感從端頭出發(fā)，通過連續(xù)的、如洞穴般的水磨石結構，傳遞到店鋪內部，雕刻式地形成了各式功能空間。猶如一塊被挖掘過的石頭，從建筑內部沿著原有結構生長出來，在靠近場地中心點的位置拐了一個彎，結束于最外側的轉角Kiosk。通過這個動作，被水磨石結構切割出的空間，并經過道的擠壓，在規(guī)則的紅線內產生了對角線般的視線關系。

▼分析圖，analysis diagram ? 方書君工作室

The presence and weight of Kiosk is transmitted from the head to the interior of the store through a continuous, cave-like terrazzo structure, sculpting various functional spaces: the coffee making area, cashier, storage and dining area. Like an excavated stone, it grows out of the interior along the original column, makes a bend near the centre of the plot and ends at the outermost corner. Through squeezing of the corridor, the space cut out by the terrazzo structure creates a diagonal view contact within the regular plot line.

▼視線的轉折，turning of the sight ? 陳顥

▼葉子形立面內景，interior view of the leaf-shaped facade ? 陳顥

▼充滿重量感的水磨石結構與輕盈的葉子狀木構立面，heavy terrazzo structure and light leaf-like wood facade ? 陳顥

與石材的重量感相比，其余立面通過通透的玻璃與結構的構件感，呈現(xiàn)出一種截然相反的輕盈姿態(tài)。長向立面上，一片葉子形狀的卡座區(qū)呈現(xiàn)向內輕蜷的趨勢，將路人柔和地“擁”進來。

In contrast to the weightiness of the stone, the rest of the fa?ade presents an opposite lightness through translucent glass and structural elements. Along the long fa?ade, a leaf-shaped seating area tends to curl inwards, gently ’embracing’ passers-by.

▼從內部看葉子狀立面，viewing the facade from interior ? 陳顥

▼葉子形狀的卡座區(qū)呈現(xiàn)向內輕蜷的趨勢，the leaf-shaped seating area tends to curl inwards ? 陳顥

▼卡座細節(jié)，details of the seating area ? 陳顥

由櫻桃木包裹的木質桿件把大尺度的立面降低為近人的尺度，生成了即開敞又有私密型的空間。通過讓出與激活小部分紅線內空間，削弱了公區(qū)的通道感，同時增強與外界人流的互動性。

Warm cherry wood rods reduce the large scale of the fa?ade to an intimate human scale, creating an open but cozy space. By giving up some areas within the red line and activating it, the passage feel of the mall corridor is weakened, while enhancing and encouraging the interaction with inside and outside

▼葉子形立面細節(jié)，details of the leaf-shaped facade ? 丁思民